The Thin Blue Line

1988

Action / Crime / Documentary / Drama / Mystery

67
Rotten Tomatoes Critics - Rotten 100%
IMDb Rating 8 10 20

Synopsis


Uploaded By: FREEMAN
November 01, 2015 at 03:26 AM

Director

Cast

Errol Morris as Himself
720p.BLU 1080p.BLU
808.69 MB
1280*534
English
Not Rated
23.976 fps
1 hr 41 min
P/S 4/16
1.64 GB
1920*800
English
Not Rated
23.976 fps
1 hr 41 min
P/S 3/45

Movie Reviews

Reviewed by DeeNine-2 9 / 10

Stunning depiction of a gross miscarriage of justice

This is an extraordinary documentary in which film maker Errol Morris shows how an innocent man was convicted of murdering a policeman while the real murderer was let off scot free by the incompetent criminal justice system of Dallas, Texas. The amazing thing is that Morris demonstrates this gross miscarriage of justice in an utterly convincing manner simply by interviewing the participants. True, he reenacts the crime scene and flashes headlines from the newspaper stories to guide us, but it is simply the spoken words of the real murderer, especially in the cold-blooded, explosive audio tape that ends the film, that demonstrate not only his guilt but his psychopathic personality. And it is the spoken words of the defense attorneys, the rather substantial Edith James and the withdrawing Dennis White, and the wrongfully convicted Randall Adams that demonstrate the corrupt and incompetent methods used by the Dallas Country justice system to bring about this false conviction. Particularly chilling were the words of Judge Don Metcalfe, waxing teary-eyed, as he recalls listening to the prosecutor's summation about how society is made safe by that "thin blue line" of cops who give their lives to protect us from criminals. The chilling part is that while he is indulging his emotions he is allowing the cop killer to go free and helping to convict an innocent man. Almost as chilling in its revelation of just how perverted and corrupt the system has become, was the report of how a paid psychologist, as a means of justifying the death penalty, "interviewed" innocent Randall Adams for fifteen minutes and found him to be a danger to society, a blood-thirsty killer who would kill again.

This film will get your dander up. How the cops were so blind as to not see that 16-year-old David Harris was a dangerous, remorseless psychopath from the very beginning is beyond belief. He even took a delight in bragging about his crime. As Morris suggests, it was their desire to revenge the cop killing with the death penalty that blinded them to the obvious. They would rather fry an innocent man than convict the real murderer, who because of his age was not subject to the death penalty under Texas law. When an innocent man is wrongly convicted of a murder three things happen that are disastrous: One, an innocent man is in jail or even executed. Two, the real guilty party is free to kill again. And, three, the justice system is perverted. This last consequence is perhaps the worst. When people see their police, their courts, their judges condemning the innocent and letting the guilty walk free, they lose faith in the system and they begin to identify with those outside the system. They no longer trust the cops or the courts. The people become estranged from the system and the system becomes estranged from the people. This is the beginning of the breakdown of society. The Dallas cops and prosecutors and the stupid judge (David Metcalfe), who should have seen through the travesty, are to be blamed for the fact that David Harris, after he testified for the prosecution and was set free, did indeed kill again, as well as commit a number of other crimes of violence.

The beautiful thing about this film is, over and above the brilliance of its artistic construction, is that its message was so clear and so powerful that it led to the freeing of the innocent Randall Adams. Although the psychopathic David Harris, to my knowledge, was never tried for the crime he committed, he is in prison for other crimes and, it is hoped, will be there for the rest of his life. Errol Morris and the other people who made this fine film can pride in these facts and in knowing that they did a job that the Dallas criminal justice system was unable to do.

(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon!)

Reviewed by mprins 10 / 10

An astonishing look at the criminal justice system.

Along with 1996's Paradise Lost, The Thin Blue Line should be mandatory viewing for those who believe that the criminal justice system eventually convicts only the guilty. It is a stark and shocking look at one man behind bars and the truckloads of evidence that point toward his innocence. Documentarian Errol Morris indirectly argues that, at the very least, this evidence should have presented a "reasonable doubt" to the jury, and near the end of the movie, the audience has little choice but to accept his unbelievable findings. And the film ends with a single scene of just a tape recorder and voices that should be recognized as one of the most powerful endings to a movie, ever. A documentary masterpiece.

Reviewed by moniker_jones 10 / 10

One of the Greatest Docs Ever Made

The last few years have been a golden age for documentaries. For better or worse, Michael Moore and his undeniable ability for manipulating the cinematic medium have brought this endangered genre into theaters and living rooms across the country. Most of today's casual moviegoers are relatively new to the non-fiction feature. In the case of director Errol Morris' The Thin Blue Line (1988), one film not only managed to free an innocent man from a lifetime in prison, but it also elicited a confession from the guilty party. After collecting dust on video shelves for over fifteen years, this groundbreaking documentary has finally arrived on DVD.

Unless you're a devout cinephile or a video store clerk, you have probably never heard much about Errol Morris. As a member of the former category, I've been a fan of his since first renting The Thin Blue Line more than a decade ago. As I popped in that dusty VHS cassette and sat back, I relished what many critics and documentary purists had been hotly debating: Morris was taking the genre to exciting new places, whether people liked it or not.

As with all successful movies, a good doc needs a good story. In 1976, Dallas County police officer Robert Wood and his partner were patrolling their district late one night. The two pulled a blue car over to the side of the road, most likely to warn the driver of a busted taillight. Moments later Officer Wood was lying on the ground, fatally wounded by a series of gunshots. His partner quickly ran to his aid, but was unable to accurately retain and recall certain information about the killer's vehicle. Was it a Vega or a Comet? Did the driver have bushy hair or a fur-lined collar? These and many other questions emerged during the rushed investigation to bring the mysterious cop-killer to justice.

The film itself opens more than ten years after the murder took place. Randall Adams, an oddly charismatic good ol' boy sits before the camera, revealing what happened that unfortunate evening in late 1976. He admits to having shared a ride with a young kid named David Harris. The two apparently attended a drive-in double feature, where they both drank beer and smoked marijuana. Shortly thereafter, Adams claims to have been dropped off at his motel for the evening. Meanwhile, Morris shows us the aforementioned David Harris, now in his mid-20s, talking cryptically about that night's events. This real-life Rashomon confronts viewers with several versions of "the truth." It's unclear whether Morris instinctively knew the truth was still out there when he decided to pursue this project, but his previous experience as a private investigator seems to have paid off as we witness his off- camera interrogation of these two men.

Adams, responsible or not, was determined guilty by the courts and sentenced to death. Despite having a police record as long as his shadow, David Harris became the primary witness against Adams in the case. His testimony alone might not have hung Adams, but at the last minute a trio of eyewitnesses to the crime emerged to corroborate his story. In the world of Errol Morris, people are a truly strange lot, and his greatest technique is to simply let his subjects talk and talk until their inherent weirdness becomes painfully evident. Such is the case with the three last-minute witnesses in the Adams case. The more we hear them speak, the greater that uneasy feeling in our stomach and chest becomes. We are bearing witness to a catastrophic miscarriage of justice.

Morris employs a bottomless bag of tricks in this landmark film. While much of the film does rely on the presence of talking heads, he adds other elements to the mix, such as old movie footage, a haunting score by renowned composer Philip Glass, and the granddaddy of documentary no-no's: dramatic re-enactments. The latter tends to be the most challenged aspect of The Thin Blue Line, but Morris uses it fairly and wisely. He tells this twisted tale in ways few people could. A shot of a swaying timepiece or a concession stand popcorn machine suddenly amount to much more than what we're simply seeing on the screen. All of these pieces are being put together, little by little, in the hopes that by the end we will see the bigger picture.

When this movie was released in 1988, it was marketed as a non-fiction film, because the word "documentary" was thought to scare off ticket-buyers. The studio's attempts to pass it off as a murder mystery failed, but the movie made a minor splash once it hit video. It picked up plenty of awards from festivals and critics groups, but the Oscars didn't even bother nominating it. In fact, the Academy didn't so much as nod in Morris' direction until early 2004, when they nominated The Fog of War, his powerful, relevant look at former U.S. Secretary of Defense, Robert McNamara. That film and Morris' two previous masterpieces, Mr. Death and Fast, Cheap & Out of Control have been available on DVD for some time. His first three films, Gates of Heaven, Vernon, Florida, and The Thin Blue Line, were recently made available either individually or in a 3-disc box set. All six of these films are unique, intriguing portals into Mr. Morris' strange universe, which is not so distant from our own. If it's dramatic situations, reality TV, or simply a great movie that you want, look no further than The Thin Blue Line. As one of the greatest documentaries of our time, it is all these things and so much more.

Rating: A

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